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18 items found for ""

  • FORMACION | Compañia La ropa sucia

    FULL TRAINING "EMPTY AND PRESENT" SEE MORE WORKSHOP PERFORMATIC TOOLS FOR A VIDEO-ART SEE MORE WORKSHOP AND CLASSES THEATER AND PERFORMATIC MAKEUP SEE MORE WORKSHOP METHODOLOGY "EMPTY AND PRESENT" SEE MORE TRAINING OPEN IMMERISVO THEATER WORKSHOP

  • Eternos Hielos | Laropasucia

    One-person play with an immersive sound character that invites us to explore the various ways in which mental illnesses begin to cool bodies and lives. Through a phone call accompanied by a sensory box that will reach your hands, you will immerse yourself in one of the five stories that are available. The participatory experience comes in a unique format in our country and invites the viewer to listen, comment and decide in real time. Will you answer the call? ​ ​ ​ ​

  • Anel | Laropasucia

    ANEL A trunk of memories, a trunk of hiding, a trunk as a refuge, A girl named Anel and her trunk. Anel creates a fantasy world through her magic trunk, which becomes her refuge and escape from reality. Accompanied by their favorite stuffed animal, they will face the adventure of their life. Anel must go to war: "MISSION DELIVER THE LETTER." Will you accomplish the mission? Will he be able to save the queen and face the monster he fears the most? Using the resource of the metaphor and the symbology of the children's world, Anel will play with his imagination to escape the reality of his home, where the real monster he must face is his father and where the true mission is to end the worst of the secrets that keeps her in the deepest depths of her loneliness. Describe your image 1/6

  • CONTACTO | Laropasucia

    Contact company ​ E-mail. companialaropasucia@gmail.com ​ Training Laundry E-mail. formacionlaropasucia@gmail.com ​

  • LA ROPA SUCIA | Laropasucia

    LAUNDRY ​ "WASH AT HOME" The company works under 3 lines of action : Investigation Thorough study, based on true stories developed in a thesis. Creation Immersive montages of collective creation based on stories and true testimonies in unconventional spaces. Training The company opens its “Empty and Present” methodology in training instances in different formats (Workshops, Open Trainings, among others) La Ropa Sucia “se lava en casa” Chilean theater company founded in 2014, composed of different artistic languages (visual arts, performance, theater and technology). Its objective is to make visible and bring to their maximum expression “taboo” family problems in immersive (participatory) theater format, thus deepening the experience of the spectator, where he is invited not only to reflect on what he sees on stage, but also to experience the work in real time. ​ ​ LAUNDRY

  • VIDEOS | Laropasucia

    Todos los videos All Categories Play Video Play Video 00:48 RESUMEN WORKSHOP Play Video Play Video 02:46 Workshop VideoArte Play Video Play Video 03:03 Festival Mutis Barcelona Play Video Play Video 02:04 muestra Workshop Formación completa Play Video Play Video 00:49 Workshop Video-Arte 2020 Play Video Play Video 00:24 Workshop Video-Arte Play Video Play Video 03:02 Cuerpos que resisten Play Video Play Video 00:35 Berta Play Video Play Video 06:06 WORKSHOP "formacion completa" 2019 Play Video Play Video 01:06 La Ropa Sucia Play Video Play Video 01:12 ANEL 2015 Play Video Play Video 00:27 CULPOSOS 2017 Load More

  • EQUIPO | Compañia La ropa sucia

    Dirty Equipment Valentina Venegas lippi Director, performer and actress with a degree from Duoc UC, a diploma in Theater Direction from the Finis Terrae University and a diploma in Dramatherapy from the University of Chile and a diploma in Arts and Culture Management from the Alberto Hurtado University. He has specialized in various body disciplines such as butoh dance, physical theater, and performance. In 2014, Colectivo Vinario y Compañía la ropa sucia is formed. To date to Directed 7 montages (Performance and Theater), Too doing classes in Universities inside and outside country. Throughout his training, he has been developing a methodology called "Emptiness and Present" for 8 years, a methodology studied through performance, anthropology and theater, which seeks to work on the limit of the body and biographical records. Gabriel Aravena Titled actor from Duoc UC. He began his career with the play "They" (Los Indignados Company), with which he participated in various festivals. Later he worked in the work "Bureaucrats" (Foundation for El Progreso). From 2016 to 2020 I carried out an investigation of interventions in collective locomotion, working on the “invisible theater”, putting the SENAME problem in the foreground. In the audiovisual field, he has participated in various series, webseries, short films and feature films. His participation in the film "Perro Bomba" stands out. Currently, he is part of the animation of the Sodimac “Manitos a la Obra” program. As part of La Ropa Sucia, she has worked on “Anel”, “Culposos”, “Berta” and “Eternos Hielos”. Paula Rubilar Event Manager and Cultural Producer from Instituto Arcos. He directs the Project Management area of the Cultural Community Cultural Development Corporation, dedicating himself to advising on the creation of artistic-cultural projects and their subsequent financing. She also participates as Director of the La Calda Artistic Residency and Creation Center in the Araucanía region. In Dirty Clothes he develops management and production tasks. Carla Gajardo Titled career actress "Performance and stage communication" from Uniacc University, diploma in improvisation and vocal performance with the Royhart technique at Universidad de Chile, and diploma in Circus and entrepreneurship from the school Circus of the World. She is currently a teacher of communication skills and body expression for children with Down syndrome at the Almaluz Foundation, she develops as a monitor of theater workshops in schools and houses of culture. In addition, he directs and actively participates in the interventions of the Red Shoe group. In La Ropa Dirty she works as an actress in the play “Berta”. Carla Gajardo Titled career actress "Performance and stage communication" from Uniacc University, diploma in improvisation and vocal performance with the Royhart technique at Universidad de Chile, and diploma in Circus and entrepreneurship from the school Circus of the World. She is currently a teacher of communication skills and body expression for children with Down syndrome at the Almaluz Foundation, she develops as a monitor of theater workshops in schools and houses of culture. In addition, he directs and actively participates in the interventions of the Red Shoe group. In La Ropa Dirty she works as an actress in the play “Berta”. Carla Gajardo Titled career actress "Performance and stage communication" from Uniacc University, diploma in improvisation and vocal performance with the Royhart technique at Universidad de Chile, and diploma in Circus and entrepreneurship from the school Circus of the World. She is currently a teacher of communication skills and body expression for children with Down syndrome at the Almaluz Foundation, she develops as a monitor of theater workshops in schools and houses of culture. In addition, he directs and actively participates in the interventions of the Red Shoe group. In La Ropa Dirty she works as an actress in the play “Berta”. ​ Carla Gajardo Titled career actress "Performance and stage communication" from Uniacc University, diploma in improvisation and vocal performance with the Royhart technique at Universidad de Chile, and diploma in Circus and entrepreneurship from the school Circus of the World. She is currently a teacher of communication skills and body expression for children with Down syndrome at the Almaluz Foundation, she develops as a monitor of theater workshops in schools and houses of culture. In addition, he directs and actively participates in the interventions of the Red Shoe group. In La Ropa Dirty she works as an actress in the play “Berta”. Carla Gajardo Titled career actress "Performance and stage communication" from Uniacc University, diploma in improvisation and vocal performance with the Royhart technique at Universidad de Chile, and diploma in Circus and entrepreneurship from the school Circus of the World. She is currently a teacher of communication skills and body expression for children with Down syndrome at the Almaluz Foundation, she develops as a monitor of theater workshops in schools and houses of culture. In addition, he directs and actively participates in the interventions of the Red Shoe group. In La Ropa Dirty she works as an actress in the play “Berta”. Carla Gajardo Titled career actress "Performance and stage communication" from Uniacc University, diploma in improvisation and vocal performance with the Royhart technique at Universidad de Chile, and diploma in Circus and entrepreneurship from the school Circus of the World. She is currently a teacher of communication skills and body expression for children with Down syndrome at the Almaluz Foundation, she develops as a monitor of theater workshops in schools and houses of culture. In addition, he directs and actively participates in the interventions of the Red Shoe group. In La Ropa Dirty she works as an actress in the play “Berta”.

  • Formación Completa | Laropasucia

    FULL TRAINING “Our body is not only in space, unlike objects; it inhabits and stalks space, it applies itself to space like an instrument hand and when we want to move it, we will not move the body in the same way that we move an object. We transport it without an instrument as if by magic, since it belongs to us and because through it we have direct access to space ”. For us, the body is much more than an instrument or work tool; it is our means of expressing ourselves to the world, the visible form of our intentions. through our movements, which are most deeply linked to our registers, they help in personal growth and also to shape our perception of things " Complete training of empty and present, account of two months of processes, twice a week of investigation through the different disciplines that the company develops; body, voice and makeup, in order to provide the greatest amount of tools for the development of your final performances.

  • Culposos | Laropasucia

    Performative installation, product of the union of two artistic exponents: La Ropa Sucia Theater Company and Colectivo Vinario. A house that is intervened and transformed in each of its rooms, exhibiting five paintings based on true cases affected by intrafamily sexual abuse. Both abused and abusers will each occupy a room with their own history and time, occurring simultaneously and allowing the viewer to move from one to another in a particular order, generating a non-linear story about the subject, where the viewer is the one who has the last word. ​ What is guilt? Do you feel guilty? Why? These are some of the questions that are generated when making this journey through the senses, emotions and internal world of the characters, which will be supported by mapping, bodies and sound in real time. 1/11

  • Entrenamiento Abierto | Laropasucia

    OPEN TRAINING Instance to share with the community and people interested in training with the company, to learn about the "Empty and Present" methodology. Three-hour sessions to discover the skills and registration of the body.

  • Workshop Maquillaje | Laropasucia

    MAKEUP The colors, textures and designs that we choose are the first thing that the public has as a precedent of the work, so each decision made must come from an honest, concise and coherent design, which is based on a previous investigation of what is wanted. communicate. The aesthetic comes to complement the communicational objectives, it does so without interrupting, but without going unnoticed. It is pertinent that this scenic layer be understood clearly, but that it is grounded in such a way that it is not an empty and superficial design. The makeup, costumes and scenery are one more character, one more voice that provides information necessary to understand the work. We design something that is related to our objectives, that talks about other things that we are not capable of communicating with our body, that transmits sensations and emotions; We stimulate our creativity in a three-dimensional way, to generate an honest experience both for us as performers and for the audience. "

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